With 2022 around the corner, this seems like the time to reflect on the things that helped us or brought us joy in 2021. The following is a list of my favorite apps, books, music, podcasts, TV, and video games from the last year, including many that I would recommend to others. The categories for this list are taken from Jesse J. Anderson’s Extra Focus newsletter, but the selections are my own.

?Apps

• ​FitOn. I’m a strong believer in the idea that staying physically healthy is important to nourishing creativity and focus. FitOn was my favorite app for working out at home throughout the pandemic. It’s got a pretty extensive collection of yoga, strength training, and cardio workouts, and it can build a “routine” for you based on your fitness goals. The paid version adds popular music to the background of the workouts, but you can’t control what tracks play so it’s more like a radio add-on.
• ​Insight Timer. I’ve tried several guided meditations apps, but often the features you want most are behind a paywall or embedded with ads (which makes sense—content and apps take time and money to create). Insight Timer works on a model similar to YouTube: the content is creator-uploaded and users can donate to creators. Whether you’re looking to relax or fall asleep or become more mindful and aware, chances are you’ll find it here.

This year at Origins Game Fair, I experienced one of the best convention one-shot RPG sessions I’d ever played in—as well as the worst—back to back. This gave me a unique opportunity to compare and contrast what went well in the first session and what went awry in the second, especially in light of my experience as a tabletop RPG professional responsible for developing one-shots as well as demoing RPGs for convention play. Over the last ten years, I’ve run open and VIP tables at large flagship conventions like GenCon and Origins, regional cons such as AcadeCon and Con of the North, and local mini-cons on college campuses and at my own home. Over the years, I’ve also made my fair share of mistakes that I hope you can learn from.

Although there are many aspects to consider when planning and running an RPG one-shot at a convention, I think that focusing on three elements of the session will give you a solid foundation and yield the best payoff per hour of prep spent. These three essential ingredients are: 1) exciting and accessible pre-generated character sheets, 2) a scenario that is optimized for one-off play, and 3) excellent player management at the table. In this first part of the three-part series, let’s take a deep dive into the first ingredient: pre-gens.

The Bewitching Hour is a solo journaling microgame of gothic romance. Inspired by such works as Crimson Peak, Dracula, Jane Eyre, Wuthering Heights, as well as the works of Jane Austen, this game pays homage to the gothic genre without taking itself too seriously.

As you play, you’ll discover your character’s traits, the rumors and secrets surrounding the lord of the manor, and what happens during one fateful, stormy night. The core “gameplay loop” involves answering prompts, following directions, and choosing or rolling for multiple-choice answers. In summary, you’ll use your imagination (occasionally aided by a random dice roll) to come up with a pair of characters and a story between them that you enjoy. As a “journaling” game, you’re encouraged to chronicle your answers and choices in whatever manner you see fit. You could journal in first-person POV, narrate your tale in third-person POV prose, or draw the scenes out as a comic. The choice is entirely yours!

I’m offering this microgame for free to celebrate Halloween 2021, but if you’re feeling generous and would like to tip the author, I ask that you instead donate whatever you wish ($5 is my suggested donation) to this year’s ExtraLife drive to raise funds for kids at local childrens’ hospitals.

Without further ado, you can download your preferred version of The Bewitching Hour below. Please do not redistribute this game without permission, but feel free to share this link with your friends!

• Download the Digital Edition – Play using Adobe Reader on your tablet or desktop (mobile not recommended)
• Download the Print Edition – Play using a hardcopy pamphlet printed on legal-sized paper
• Download the Print Edition Instructions – Learn how to print and fold the pamphlet as intended

If you would like to be notified of updates to these game files or would like to receieve free resources and advice on writing, roleplaying, and gamemastering, please consider subscribing to my newsletter:

A lot of artists who create for pleasure or as a hobby find themselves facing a creative blockage at some point (or many points) in their lives. We can’t quite find the answer to the question, “why can’t I seem to create right now?” Sometimes, we’re asking ourselves a variation on that same question: “is right now the right time to create this?”

For a long time, I’d internalized that piece of writing advice that often gets doled out: “write every day.” While that advice does have some underlying merit, it also made me feel guilty whenever I fell short of that goal. Sometimes, I’d go for weeks without writing, and I felt like a failure for not living up to those expectations. I tried to figure out a writing routine to help me stick to my goals, and some months that plan worked, but other months it absolutely did not.

I finally figured out that my writing routine—or any creative routine, really—was heavily affected by the creative season I was in.

One of the biggest mistakes I made when I first started writing was to equate the word “editing” with merely correcting grammar and spelling. Although that is certainly an integral part of the editing process, it is by no means the only one. It wasn’t until I started working in publishing that I realized there were names for the multiple stages of editing that a published work of writing undergoes, along with a recommended order of doing them. In the fanfiction community especially (where I got my start as a writer), “beta readers” will often edit multiple levels at the same time, but for writers who are considering selling their work, it can make sense to go through the more formal editorial process.

First comes developmental editing, then copyediting, and finally—just before the piece is published—proofreading. Aspiring authors can help critiquers by signaling what kind of editing they’re looking for, i.e., saying whether one is willing to rewrite entire sections of a piece, or whether one wants to keep the bulk of the text intact but just have it polished. By using the jargon associated with the different levels of editing, authors can communicate their needs quickly and also begin to learn the language of professional publishing.